![]() What about real pictures? I’m glad you asked. The above image is super cheap Kodak ColorPlus 200.Ĭolor checker charts are one thing. ![]() Pretty much any C-41 film? Pretty much Yes. With that all being said, yes, C-41 color negative film processing is about to happen at Simple Film Lab. I’m looking to follow the same model as I do for Black and White film processing, just to keep things simple. C-41 chemistry is quite a bit more expensive than black and white chemistry and I’m still working out what the real cost per roll is, however, expect me to have it worked out and have an order form available for download within the next few days. ![]() So what is this going to cost? Well, I’m still crunching the numbers. In fact, all of Adobe’s Lightroom Develop Module tools work the way you would expect them to work as if you shot the picture digitally, but in reality, it was shot on film. It actually works the way it’s supposed to work. Just select “Daylight” in the WB dropdown tool. Did you shoot your Tungsten balanced film outside during the day? Also, no problem. Did you shoot your daylight film indoors under fluorescent lights? No problem, just select that type of lighting under the Lightroom WB drop-down, or use the eye dropper to change it. A daylight film shot during the day has whites that look white. If you don’t know how to do that, then please go figure it out and start doing it before your customers figure out that what you are giving them could be so much better and become my customers.įilm scans from Simple Image Tools does things like make Lightroom’s color temperature and white balancing actually accurate. The film scanning gold standard is correctly color conformed 32 bit floating point DNG files that behave the same way as a DNG file from a digital camera. ![]() If you are a film lab and you are reading this, consider this post as a notice. Anything else can be an option, but should not be the default. Like it or not, anybody who takes any serious amount of pictures uses Adobe Lightroom and should demand to get Lightroom native DNG files of their film scans. Jpegs and tiff files have their uses, but frankly, if that’s what the lab you’re using is offering as the output of scanning your film after processing it, then they are not doing you or anybody else a favor. What you get from other labs is inferior if it is not at least correctly color conformed Adobe DNG files. It is the color film vision that I’ve had for a while, and in my humble opinion, is the best hybrid workflow for color negative film. So, what do you get? Basically, the same as my Black and White film processing service, except the output is in full on, glorious, 32 bit floating point, linear light color, as an Adobe Digital Negative file. So, lots of research, lots of testing, lots of studying the DNG spec, lots of code tweaks to Simple Image Tools (the film scanning toolset developed by me for Simple Film Lab), and a lot later than I would have preferred, it’s done. If this is to be a service I want to offer to others, then I need a way to provide an equivalent to what you get with RA-4 analog color prints, but digitally in Adobe Lightroom which is a fully color managed environment. I’ve been able to process C-41 film for a long time and even had my own Adobe Photoshop based color workflow, but it really only worked for one film: Kodak Ektar 100, and it wasn’t really viable to do on a large scale or for other people. Simple Film Lab will start accepting C-41 color negative film for processing and scanning in the month of June, 2018.Ĭolor is a lot harder to do than Black and White, and it took a while for me to figure out how to do C-41 color negative film in a way that would be repeatable and have fairly accurate colors, but still allow the character of each film to come through once scanned in.
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